I did manage to hold on to a photo we took there. Its one of them pics you get at the carnival. It was the two of us on a magazine cover. At the top it read Success with him holding a bag of prop money and me holding a taped up microphone.
We went by the name of The Dynasty Family because his last name ended with D (Dewberry) and mines ended with the letter Y (Yates). Chase came up with this name, he was swift with concepts. According to him we were gonna be rich with all kind of matching vehicles. I was intrigued plus I was a young soldier glad to get off the block.
The Dynasty Family was short lived. The money wasn’t coming in as quickly as we had hoped for. We did a talent show at a bar and won $50 but Chase was hardly satisfied. The following week was for the grand prize of $100 and Chase didn’t show. I went on to do the show by myself reciting his lines as well as my own and I won the $100. I admit it was a bit degrading but I was on a path and thought it was best to move forward than to look back.
I started to hone my skills. I began to read more to increase my knowledge and wordplay but mostly I would stay up late nights listening to pioneers like Red Alert, Mr Magic, Marley Marl, Awesome Two and Hank Love to name a few. You had to stay up late to catch most of these guys and I wanted to keep up with the latest hiphop.
As I got better the Man Of Steele was born. Dre continued to manage me as a solo artist. The M.O.S.T was formed, that was the crew. I did a few talent shows and variety shows which were filmed mostly at BCAT or MNN. I also appeared as a guest on Bobby Simmons (Stetsasonic) video show a few times. I had a video out that Dre paid for out his pocket. Our song consisted of samples from “And The Beat Goes On” by The Whispers blended with “The Big Beat” by Billy Squier, which Don Q (Thorne Pearson) created. The name of the song was “Steele Moving Strong”.
Through making frequent appearances at this one particular variety show called The Ron Alexander Show, Dre was able to secure me a record deal. I was excited but I had never seen a contract so I wanted to be careful. Dre was new at this too. He was a good guy but a novice manager but he too possessed that hustle mentality. He did a great job but we had no legal representation. We didn’t really know what we were doing but that didn’t stop us from moving forward besides it was only one song and it was gonna be on a compilation so how bad could it be we thought.
I was attending night school at George Washington High School in Brooklyn where I met Tracey, the sister of Kenyatta pka Buckshot. She and I both sat in the back of the class obviously uninterested. One day she said, “Was that you rapping on tv?”. I think I might have replied, “no” but Im not sure. Needless to say we became good friends. Tracey mentioned that she likes to dance and at the time I wanted to add dancers to my show. She was down to do it but she always mentioned how her brother was way better than her. She would say, ”you got to meet my brother and his partner”. Then she would talk about all the dynamic dance moves they would perform.
Dre was able to secure a show at the World Famous Apollo Theatre in Harlem NY. Wow! I was gonna be on Showtime At The Apollo.This was big time the big screen I used to watch this show all the time on my 13” television. I had to do this right. We rehearsed for days in Dre’s mother’s basement. It had wall to wall mirrors top to bottom so we could see how we looked. The dancers were on point but Tracey was adamant about getting her brother and his friend to perform with us. I wasn’t against it but they hadn’t rehearsed with us and we needed this show to be tight. I agreed to it besides I was anxious to meet this dynamic duo.
The day of the show at the Apollo we were ready. I had constructed a game plan that would incorporate Kenyatta and his partner Kasim perfectly. They went by the names KB1 and KB2. They were practicing their routine while the rest of us sat in the green room. The strategy was to have them open up the show then we would come out right behind them with the song and the girl dancers. The show was a hit but it never made it to the big tv screen.They also had talent shows that were not filmed for television. I was a bit disappointed but I just rocked the Apollo, this was a big accomplishment.
When I got the contract I asked Tracey if she thought I could get Kenyatta to take a look at it. I went to see him and gave him the contract. The first thing he said was, “first of all, this is too many pages”. I laughed while thinking howingenious he was as we combed through the lengthy document laden with rhetoric and jargon. Im not sure if he truly understood it in toll but his input was priceless. Needless to say eagerness and curiosity amongst other things led me to sign the contract. I never got any money from the deal but I did quite a few shows one of which was on the same stage with the legendary KRS ONE. Money still wasn’t coming in and I was messing up in school not due to rapping but poor decision making. I was smart I just didn’t go and I paid for it dearly but in the end it all worked out.
My failure to excel in school led me to be left behind while all my friends graduated on time. I decided to get my act together which eventually led me to the program in Coney Island Hospital.